M Schulz Piano Serial Number Is#

M Schulz Piano Serial Number Is

You are looking for a number like those shown here. It can also be found on the top of the piano when you open the lid on Upright Pianos. Step 1: The serial number is usually found on the plate of the piano between the bass and tenor strings.

During the interwar years, Apollo was a distinguished maker of stylish pianos. Apollo instruments found recognition and buyers in the Congress Kingdom of Poland and in Russia already before World War I. After AleksanderвЂ™s death in 1935 his sons Aleksander Marian and Jan Sylwester succeeded to his share. Aleksander Oskar and Karol Otton Fibiger were experienced piano makers from a family with a long tradition in piano manufacturing (they were nephews of Gustaw Arnold Fibiger вЂ“ see entry). Apollo, founded by the Fibiger Brothers (Karol and Aleksander) was a factory of grand pianos, uprights and keyboards, functioning between 18 in Kalisz. Pianos also have numbers other than serial.

Other significant cases involved new forms like the poster, the piano. In the United States Jean Ferguson Carr, Stephen L. After the war, they manufactured furniture and repaired pianos but never made a new one.Krakauer Brothers Piano S Serial Number 80014 Answers Answers: 8 Cable Nelson piano serial number 80014 Answers: 2 Chickering piano serial number and value Answers: 12 whats the age and worth of my upright M.Schulz Piano serial number 6170 MusicPerforming Arts Answers: 1 M Schulz Piano Serial Number The sweet mellowness of tone, and wide range of volume make their instruments a favorite with those musically educated.The most recent awards were the International World Olympics Medal for superior design and the Grand Prix Award from Spain for superior overall quality and design. During World War II the factory was taken over by the German textile firm AMC Textil-Werke W.R. Brachocki praised the quality of the Fibiger Brothers' instruments. They were awarded at piano-making exhibitions, receiving a golden medal at the PoznaЕ„ Fair in 1929, a grand golden medal in Vilnius in 1930, and a grand golden award in Warsaw in 1932.

Do II wojny Е›wiatowej, (Warszawa, 1995), pp. Budownictwo fortepianГіw na ziemiach polskich od poЕ‚. Kolekcja Muzeum Historii PrzemysЕ‚u w OpatГіwku, (OpatГіwek, 1994), pp.

Ottner, Der Wiener Instrumentenbau 1815-1833, (Tutzing, 1977), p. In August 1857 he visited Warsaw, perhaps in connection with an industry fair taking place at the city at the time.Bibliography: H. The nameplate of one of the two AstвЂ™s grand pianos surviving in Poland gives the address KettenbrГјckengasse 715 (Neue Wieden). His workshop was located at different addresses: in 1844-47 at Landstrasse, Gartengasse 47 as well as Landstrasse, Bockgasse 478 in 1848-54 at Lumpertgasse 715, Neue Wieden in 1856-60 at Franzensgasse 707, Wieden in 18 at Francensgasse 708, Neu Wieden in 1862 at Mittersteig 412, Wieden in 1864 at V. On 13 July 1843 he obtained citizenship of Vienna. 104Johann Ast was a Vienna-based piano maker (b.

In 1879 Bechstein opened a branch in London and in 1903 вЂ“ in Paris. During his lifetime, his firm produced nearly 54 thousand uprights and grands, and became the official piano supplier to the queen of England, the queen of Prussia, and the royal courts of Spain and Russia. Thanks to his knowledge of the latest European innovations and the fact that in the last quarter of the 19 th century he applied American construction and technology, BechsteinвЂ™s instruments became one of the best in the world. In 1853 he set up his own firm in Berlin, which first produced uprights, then вЂ“ from 1856 вЂ“ also grand pianos.

Libin, (Oxford, 22014), p. Beetem Acker, вЂBechsteinвЂ™ in The Grove Dictionary of Musical Instruments, Vol. Henkel, Lexikon deutscher Klavierbauer, (Frankfurt am Main, 2000), pp. Vogel, Kolekcja zabytkowych fortepianГіw Filharmonii Pomorskiej, (Bydgoszcz, 21987), p. From 1963 to 1986 it was part of The Baldwin Piano Company in Cincinnati, USA since 1986 it has been owned by German piano maker Karl Schulze.Bibliography: B. Seriously damaged during World War II, the company did not reopen until 1950.

He introduced a range of innovations and held numerous patents. In 1841 he opened a factory in St. In 1839 he obtained a 10-year patent for a grand piano of his making from the king of Bavaria. Petersburg) was a founder of a well-known Russian piano company. In Neustadt an der Haardt, now: Neustadt an der WeinstraГџe near Mannheim, d.

Keller, Die Handwerker in St. Just before World War I the companyвЂ™s 400 associates produced up to 1800 instruments a year.Bibliography: Clinkscale Online: A Comprehensive Database of Early Pianos, , A.V. In 1904 Carl SchrГ¶der took up the reins of the firm. Bitepazh (Bietepage), triggering its development and mechanisation. In 1871 it was taken over by P.L. In 1861 JacobвЂ™s brother Franz replaced him as the head of the company.

After 1867) was a leading German piano maker of the 19 th century. 1800 in Breslau, Prussia , d. 55, 61-63Heinrich Philipp BessaliГ© (b. Swartz, Piano Makers in Russia in the Nineteenth Century, (Bethlehem, 2014), pp. Jahrhunderts bis zum Ausbruch des Ersten Weltkrieges 1914, (Frankfurt am Main, 2002), pp.

The firm soon gained recognition: a grand piano he built in 1839 earned BessaliГ© the title of royal piano maker to Carl, Prince of Prussia. In 1835 he set up his own piano company in Breslau. DГ¶rge, then in Vienna, where he spent 13 years with J.B.

Surviving pianos of its making may be found at the Musikinstrumentenmuseum in Leipzig and the Andrzej Szwalbe Collection in Ostromecko near Bydgoszcz, among other facilities.Bibliography: K. After 1867 the company dwindled. He received a medal at the 1844 Berlin fair. He introduced many innovations and showcased his pianos at crafts and industry fairs in Breslau (1839, 1841, 1845, 1852), London (1851), and Paris (18). His instruments were praised by F. In 1845 he was awarded the title of an artist of the Berlin Academy.

He worked with BlГјthner in Leipzig, Ed. 1892 in Kalisz) was a piano makerвЂ™s son and student. 1827 in Emmerich, Rhineland, d. 117-119Piano maker Teodor Betting (b. Gul, вЂInstrumenty muzyczne na pierwszych wystawach sztuki, rzemiosЕ‚a i przemysЕ‚u w dziewiД™tnastowiecznym WrocЕ‚awiuвЂ™, Muzyka 56/3 (2011), p. Vogel, Kolekcja zabytkowych fortepianГіw Filharmonii Pomorskiej, (Bydgoszcz, 21987), p.

After the founderвЂ™s death, the company was run by his son, Rudolf Teodor, and when the latter passed away (1909), by TeodorвЂ™s another son, Juliusz PaweЕ‚. There are records showing the company was first headquartered on Sukiennicza street (DreherвЂ™s house?), moved to Nawodna street (Mrs SzmidtвЂ™s house) on 8 July 1888 and then to Nowa 609a (7) (T. Until 1920 the firm operated in Kalisz, then вЂ“ from 1921 to 1979 вЂ“ in Leszno Wielkopolskie. In 1887 he set up his own company producing uprights, grands, and reed organs.

By 1939, it had produced c. The factory was first equipped with a steam engine, in 1902 it acquired a 8-hp gas engine, and subsequently вЂ“ a 12-HP electric engine. After JuliuszвЂ™s death in 1935, the firm was taken over by TeodorвЂ™s grandson, Teodor Juliusz, and in 1971 by his great-grandson Janusz. вЂ“ a partnership with Jadwiga May).

After World War II the companyвЂ™s operations were limited to repairs, tuning, and maintenance. Most were exported, mainly to Russia. BettingвЂ™s instruments won golden medals at fairs in Paris (1905), Antwerp (1906), and Brussels (1930). After 1930 the firm had a branch in CzД™stochowa.

Vogel, Polskie fortepiany XIX вЂ“XX w. Do II wojny Е›wiatowej, (Warszawa, 1995), pp. Budownictwo fortepianГіw na ziemiach polskich od poЕ‚. Betting was sold to Legnica piano factory in 1992.Bibliography: B.

1815 and set up his piano company in Warsaw at 1352 Mazowiecka (ЕљwiД™tokrzyska) street. 1837 in Warsaw) became a gild master c. 96-97Major Polish piano maker, Fryderyk Buchholtz (b. PoЕ‚owie XX wieku, (PoznaЕ„, 2002), pp. Rottermund, Budownictwo instrumentГіw muzycznych na terenie Wielkopolski w XIX i 1.

In 1826 he started to produce English-style instruments modelled on a piano brought from London by Maria Szymanowska. In 1825 he switched to Viennese and English action grands only. At first, Buchholtz would build also giraffe pianos with bassoon and Turkish music stops. It exhibited at Warsaw fairs, winning medals and awards.